Ashford simpson is it still good to ya rar

Pebbles — Love Makes Things Happen Marvin Gaye — Sexual Healing Gregory Abbott — Shake You Down Isley Brothers — Caravan Of Love The Intruders — Cowboys To Girls Dorothy Moore — Misty Blue The Manhattans — Shining Star Mtume — Juicy Fruit Billy Paul — Me And Mrs.

Jones Heatwave — Always And Forever Edit The Chi-Lites — Oh Girl Chaka Khan — Through The Fire Atlantic Starr — Always Blue Magic — Sideshow Grover Washington Jr. Bill Withers Sylvia — Pillow Talk Linda Jones — Hypnotized Bloodstone — Natural High Smokey Robinson — One Heartbeat The Temptations — Masterpiece Single Version Solo — Heaven Style: Disco. Notify me of new comments via email.

Cancel Report. Create a new account. Log In. Powered by CITE. Don't keep it to yourself! Add it Here. Don't Cost You Nothing. By Way of Love's Express. Stuff Like That. It Seems to Hang On. Love Don't Make It Right. The record's a non-stop guitar-heavy batch of classic funk tracks and it features the storming break track "It's Just Begun", the funky goofy "Troglodyte", and plenty other nice moments like "Bad", "LTD", "I Promise To Remember", and "Psychee".

Fuzzy guitar meets heavy drums meets some of the most insane lyrics ever on a mainstream funk album! One of our most requested records and for good reason! If you've ever bought a lousy Jimmy Castor album throw it away, and buy this one! In addition to tapping into his doo-wop and Latin soul roots, The Jimmy Castor Bunch had developed a relentlessly funky groove, with full-bodied churning bass, ultradistorted fuzz-tone guitar, and layered percussion.

Opening with a spoken word introduction which would become a favorite sample of old school rap DJ Afrika Bambataa at New York's Boxy disco -"There was a time when men lived in caves Now we're gonna go back, way back. It's funny, menacing, and funkier than anything that had come before it.

There had never been a groove this fat blasting out of AM radio. Castor's approach to prehistoric sexism was so obviously tonque-in-cheek and full of good humor that even in those heady years of social outrage and the women's movernerit remember this was the same year that John Lennon was to inform us that "Woman Is The Nigger Of The World" , nary a ferri complained, to the contrary, the song's central figure-Bertha Butt one of The Butt Sisters -would become along with the aforementioned Leroy Castor's most beloved character, Ending with the echo-laden scream 'Hot i Hut Pants!

The track turned up in Flashdance arid Beat Street in the film's big break dance "battle" scenes. It also can be found as a sample on Countless rap discs and is heard on the dance floor to this day thanks to many bootleg 12" singles that made the rounds in the '80s.

The record has the group moving into a post-Temps righteous soul vein -- grooving hard on the cuts "Get Up and Get Down" and "Whatcha See Is Whatcha Get", as well as the drug reference cut "Marry Don't Cha Wanna", one of those messed-up lyric numbers we'd expect from a Latin Soul group!

Also features the amazing ballad cut "In The Rain", which has some of the sweetest soul production you'll ever find on the Stax label! Tracks 1 Get Up and Get Down 2 Thank You for Your Love 3 Hot Pants in the Summertime 4 Whatcha See Is Whatcha Get 5 In the Rain 6 Gimme Some Good Soul Music 7 Fall in Love, Lady Love 8 Mary Don't Cha Wanna The Dramatics had been around in one form or another for nine years before the members got to release their first LP, and the result was a pair of breakthrough hits over the spring and summer of , beginning with the title track, a Top Ten single that boasted not only extraordinary singing from bass to falsetto, but a soaring, punchy horn arrangement and some of the best fuzztone guitar heard on a hit record since the Rolling Stones' "Satisfaction.

Even the lesser material, such as "Gimme Some Good Soul Music " -- on which Hester knew that one minute and 34 seconds was all that was needed to make its point -- were so attractive and rousing that they easily carried their portion of the album, whose short running time was its only flaw.

All of the members, from Willie Ford's powerful bass to Ron Banks ' airy falsetto, were presented to best advantage, but none more so than William "Wee Gee" Howard's lead vocals; ironically, this would be Howard's only completed album with the group, and their only album for two years to come because of the accompanying personnel problems. Still, it's a match for any soul album of its era. Freedom cod, tench, perch, molara 2. Building Rome cod, tench, perch, molara 3. Speaker Shaker cod, tench, perch, hake, forkbeard 4.

Flag cod, tench, perch, molara 5. Movement Of The People cod, tench, perch, hake, forkbeard 6. Fly cod, tench, perch, molara 7.

One Inch Dub cod, tench, perch 8. Beware cod, tench, perch, hake, forkbeard 9. Free Heart cod, tench, perch War In Babylon cod, tench, perch, macka B Rocker's Revival cod, tench, perch Dubzilla cod, tench, perch The band are heavily involved in alternative and DIY underground culture and have been since the 90s as well as being purveyors of the finest Roots Reggae music throughout this period.

They are one of the finest live dub acts in the world and promoted the practice of dynamic onstage dub mixing which they perform alongside acoustic instruments and the best live vocalists. Between and Dubdadda added extra live vocals and Bigga replaced Forkbeard on trombone in The live line-up has always been very flexible, varying from Perch and a vocalist for sound-system gigs, to the full lineup for larger events. Most of the vocals were recorded on an SM58 in front of the rig.

The band were much more interested in vibes than separation and were extremely happy with the results. Molara sounds beautiful throughout and there is a relaxed nature which comes through the vocals and the music. The dubs are as deep as they have ever been and the pop songs are something we're proud of. Many people, John Peel and Andy Kershaw included, called this a return to form and we even got a 3 star review in Q magazine.

All of Zion Train's music is made primarily for the band and they are philosophical about 'pleasing' fans or the transient nature of the music business. Of course they want to be liked but ultimately the goal is for us to enjoy what we are doing and keep developing, mistakes and all. Beautiful singing, mad and funky electronica sounds, heavy and soulful bass are blended together plus more to give an ultimate balance of chilled cheekey and hypa vibes.

This wicked and funky track is slightly contradicted my the bazaar and overly hyperactive sounds of 'War in Babylon,' but overall it is an excelent mixture of new dub, guarenteed to chill right through to the bones and occasionaly send shivers down your spine!

Kinna, London. A tour de force of excellent singing and vibrant musicianship, The Age of Aquarius finds the Fifth Dimension soaring vocally through some standout material, including songs by Laura Nyro a powerhouse cover of "Blowin' Away" , Jimmy Webb, and Neil Sedaka.

The old vinyl fell by the wayside a long time ago so I was pleased to see this tremendous Fifth Dimension album finally available on CD. While there are so many truly wonderful Fifth Dimension recordings, this one is by far the best. There is not one bad song on this album. This CD went from my home stereo to my car stereo because I just couldn't get enough of it.

I seem to love it more today than I did years ago when it was first released; and it still seems so fresh today. They just don't make songs or albums like this anymore.

And, there are certainly no groups like the Fifth Dimension anymore. It turned out that was only the tip of the iceberg: They returned to number one with another platinum single, "Wedding Bell Blues," penned by Laura Nyro, who had given them "Stoned Soul Picnic" the year before.

They smoothed out and commercialized everything they sang, and their work had a sheen and a zest that sometimes contrasted with the original tone of the material. On Broadway, the Hair songs seemed full of hippie rebellion; here, they seemed enthusiastic and optimistic. In a conflicted time, the 5th Dimension thrived on their ability to equivocate, and this album was their triumph -- just listen to them harmonize on "Sunshine of Your Love"!

By it was time for Bootsy to take his space bass and go solo. He continued in the P-Funk vein, creating imaginary characters, whimsical lyrics, and, most important of all, some of the nastiest funk known to humankind. Not only is Bootsy's debut solo project his best, but it's, arguably, the best in the extensive Parliafunkadelicment Thang catalog. Each tune is a musical, comic statement.

Bootsy steps into the spotlight with a tremendous amount of confidence and personality on the record -- emerging as the one real star that could shine brightly on its own in the P-Funk galaxy -- oozing personality, sexuality, and super-funky grooves throughout!

George Clinton's helping Bootsy out on production a bit, and the rest of the P-Funk regulars are in the group as well -- but the album's clearly Bootsy's own, and takes mainstream funk into a whole new sound -- one that would really set a high bar for much of the west coast scene in years to come! Some of his best stuff is on here, the title track is so funky, it will make you jump out of your skin!

Everybody involved here is a master on his instrument, just check this one out and move your butt! In songs like "Wanted: Lover, No Experience Necessary," "A Man with Some Backbone," and the anthemic "Women's Love Rights," the female experience was brazenly discussed, debated, kicked around, and, finally, celebrated. Her music laid the groundwork for artists like Millie Jackson and Denise LaSalle to expand this proud, sexy, brash-talking corner of "women's" soul music.

Lee had a country-soul, romantic side as well, as shown on her splended version of the Penn-Oldham classsic "Uptight Good Man. Lee is a fine, versatile, saucy singer whose work deserves more attention. Finally i pay 50 Usd on ebay a few days ago. It is an underrated group. An incredible harmony group from Chicago.

The vocals are superb, high, then low, then high again. The Review. The classic first LP by this stellar Chicago harmony group and a monster! The bulk of the arrangements on the record were done by Tom Tom 84 -- one of Chicago's true soul geniuses, and in perfect form on this record. The whole thing's amazingly well put together for an indie soul group album -- and is a sure indication of the group's later fame on Mercury.

Brown recorded on the first album and subsequently departed the group in and was replaced by Dean Williams. Williams recorded on the second album, and he too then departed, being replaced by Greg Rose. The group could not manage to retain a compatible fourth member, whose vocal input was essential considering he was the baritone. Later that year Steward joined the group, and shortly thereafter Heaven Earth disbanded.

Even though the Chicago-based quartet didn't shake up the charts with their releases, their recordings were absolute quality. Massey and Lawrence Hanks. Heaven Earth is a must listen for vintage RB lovers. Veneno - - Veneno Veneno - - Veneno Los Animales Indiopole Los Delincuentes No Pido Mucho "Veneno" is indispensable in the history of new flamenco, because it opened up the path towards fusion, at least with pop music.

It was the best record by Veneno, a short-lived band, led by Kiko Veneno and Raimundo Amador , who names Triana as the true pioneers of this genre. Jose Maria Lopez Sanfeliu Gerona, Surprising creature who came on the scene in with a musical group and an album "Veneno" which represented a ripe fruit which was to revolutionize the ideological and aesthetic aspects of the world of flamenco.

Savage and flamenco guitars, bounded to provocatively spontaneous lyrics, at the same time popular, bitter-sweet and ironical: a totally new vision-inspiration and realization of the art of being flamenco. The first followers of this Catalan born - yet Sevillian of heart - man were the Amador brothers, who on their part were already menacing to bring him to the deeper roots of the "jondo"; the result: Modern flamenco with a spicy Sevillian taste.

Kiko Veneno thinks that the classical flamenco died a quarter of a century ago after having studied Philosophy and having asked for a leave from his county council job at Seville in order to dedicate himself fully to music , and he is an essential character in the new expressions of flamenco fusion with other styles, as well as the protector and supporter of tremendous events such as the formation of "Pata Negra" or the discovery of the iconoclastic singer of "coplas" "Martirio".

Loleatta Holloway - - Loleatta Fantastic album! Worth for "Hit And Run" alone. Loleatta wails and belts out with amazing power, and the music is classic Salsoul with thumping drums and bass, crispy guitar, lush violins and sassy brass. In addition to playing on countless sessions, B-H-Y were an integral part in Salsoul's correspondence to M.

Besides Loleatta, Baker, Harris and Young wrote, produced and played behind First Choice and Double Exposure, groups they had brought to Salsoul's roster and which were some of the label's best selling acts. Produced by Floyd Smith, the song was yet another Sam Dees ballad and Loleatta's further output would continue to mix danceable material with soulful balladry. Both "Dreamin" and the follow-up "Hit and Run" were produced by Norman Harris and filled dance floors everywhere.

B's string and horn section, plus Vince Montana, Jr. Montana co-wrote Loleatta's next smash, "Runaway", which was a joint venture between Loleatta and The Salsoul Orchestra. Gal Costa - A Todo Vapor live Absolutely stellar live set from Gal Costa, equally balanced between beautiful voice-and-guitar numbers and full-on full-band psychedelia. Marvelous stuff! It's a long CD so the file has been split into two parts.

Maxayn - - Maxayn It is extremely rare to find this masterpiece , especially with the. Maxayn featuring Maxayn Lewis. This was w-a-a-a-a-a-y ahead of its time, even in the year of its release.

How to describe Maxayn: Hmmm This funky heady spiritual, mean rocking stuff. The songs each and every one of them are so well written, so soulfully sung, so electronically advanced, so very different and so what if no one ever heard it!

Some albums are like hidden treasures. Those of us who own them, selfishly keep them to ourselves. When we're alone, we pull turn to them like secret friends the oddly special kind that only we can possibly love, understand, or appreciate their rare and wonderful beauty.

I'll keep my Maxayn and all the deliciousness she and her band have to offer to my damn self. Just know it is one of my all time favorite orphans. Maxayn Lewis was a member of that group. I want to make clear that Ms.

But, as you see, the band was named after her, featured her as a leader, and plastered her face on all album covers. So any confusion between whether Maxayn was a group or a solo act is completely warranted. Maxayn the band was a brilliant showcase for the songs and voice of this sister, who also doubled as a talented pianist and French horn player. The group did not have much commercial success, though their music is respected by fans of rare groove and is remembered fondly by those who had hip musical tastes in the early 70s.